Storyline

One hundred fifty digital video cameras are distributed to everyday Iraqis, they encouraged to record their feelings about their life. They are also encouraged to pass the cameras along to get as many Iraqis across the country to participate in this project as possible. The cameras are in circulation from April to September 2004, shortly after the American bombing of Fallujah and the fall of the dictatorial regime of Saddam Hussein, the resulting footage which is compiled as this movie. Most of the subjects talk about issues around Hussein versus the Americans, and whether their lives and of Iraqis in general are better off now or then, their thoughts about democracy in general and how it applies to Iraq, and what they want to see for their future. A few also steer clear of politics altogether, they wanting to focus on happier things in their life. As the cameras move around the country, regional differences emerge, such as the Kurds of the north, who were persecuted by Hussein, having a unique perspective. Differences also emerge based on individual exposure to Hussein and/or his associates, or to what recently occurred in Fallujah. This digital camera footage is interspersed with other videos, including propaganda video by jihadis, and found unofficial videos recorded by Hussein's regime documenting their actions while in power, and with western media headlines about the Iraqi situation which has largely shaped the western view of life in Iraq.